NOL.ONE

A personal brand that lets me combine and creatively experiment with several of my passions, including fashion design, commercial enterprising, and personal branding. Underlying it all, NOL.ONE releases high-quality and ethically-sourced clothing.

NOL.ONE

A personal brand that lets me combine and creatively experiment with several of my passions, including fashion design, commercial enterprising, and personal branding. Underlying it all, NOL.ONE releases high-quality and ethically-sourced clothing.

NOL.ONE

A personal brand that lets me combine and creatively experiment with several of my passions, including fashion design, commercial enterprising, and personal branding. Underlying it all, NOL.ONE releases high-quality and ethically-sourced clothing.

NOL.ONE

A personal brand that lets me combine and creatively experiment with several of my passions, including fashion design, commercial enterprising, and personal branding. Underlying it all, NOL.ONE releases high-quality and ethically-sourced clothing.

NOL.ONE

A personal brand that lets me combine and creatively experiment with several of my passions, including fashion design, commercial enterprising, and personal branding. Underlying it all, NOL.ONE releases high-quality and ethically-sourced clothing.

BRENGER

Brenger helps people move stuff by connecting them to couriers driving that way, anyway. The founders, Derk and Wisse, built their platform to make shipping big things more efficient, cheaper, and environmentally friendlier. And Brenger is being noticed: marktplaats, eBay’s Dutch online auction platform, chose Brenger to be their delivery partner.

BRENGER

Brenger helps people move stuff by connecting them to couriers driving that way, anyway. The founders, derk and wisse, built their platform to make shipping big things more efficient, cheaper, and environmentally friendlier. And brenger is being noticed: marktplaats, ebay’s dutch online auction platform, chose brenger to be their delivery partner.

BRENGER

Brenger helps people move stuff by connecting them to couriers driving that way, anyway. The founders, Derk and Wisse, built their platform to make shipping big things more efficient, cheaper, and environmentally friendlier. And Brenger is being noticed: marktplaats, eBay’s Dutch online auction platform, chose Brenger to be their delivery partner.

BRENGER

Brenger helps people move stuff by connecting them to couriers driving that way, anyway. The founders, Derk and Wisse, built their platform to make shipping big things more efficient, cheaper, and environmentally friendlier. And Brenger is being noticed: marktplaats, eBay’s Dutch online auction platform, chose Brenger to be their delivery partner.

BRENGER

Brenger helps people move stuff by connecting them to couriers driving that way, anyway. The founders, Derk and Wisse, built their platform to make shipping big things more efficient, cheaper, and environmentally friendlier. And Brenger is being noticed: marktplaats, eBay’s Dutch online auction platform, chose Brenger to be their delivery partner.

Branding agency Matters Most worked with Derk and Wisse to overhaul Brenger’s branding. I designed their new visual style, which includes a reworked and recognisable colour scheme and a fresh, new logo. The new style is made to be universally usable and has already been used on their delivery vans, company clothing, and website. It also helped Brenger position itself as the fresh, agile, and CO2-efficient player in the otherwise old-fashioned courier business.

Branding agency Matters Most worked with Derk and Wisse to overhaul Brenger’s branding. I designed their new visual style, which includes a reworked and recognisable colour scheme and a fresh, new logo. The new style is made to be universally usable and has already been used on their delivery vans, company clothing, and website. It also helped Brenger position itself as the fresh, agile, and CO2-efficient player in the otherwise old-fashioned courier business.

Branding agency Matters Most worked with Derk and Wisse to overhaul Brenger’s branding. I designed their new visual style, which includes a reworked and recognisable colour scheme and a fresh, new logo. The new style is made to be universally usable and has already been used on their delivery vans, company clothing, and website. It also helped Brenger position itself as the fresh, agile, and CO2-efficient player in the otherwise old-fashioned courier business.

Branding agency Matters Most worked with Derk and Wisse to overhaul Brenger’s branding. I designed their new visual style, which includes a reworked and recognisable colour scheme and a fresh, new logo. The new style is made to be universally usable and has already been used on their delivery vans, company clothing, and website. It also helped Brenger position itself as the fresh, agile, and CO2-efficient player in the otherwise old-fashioned courier business.

Branding agency Matters Most worked with Derk and Wisse to overhaul Brenger’s branding. I designed their new visual style, which includes a reworked and recognisable colour scheme and a fresh, new logo. The new style is made to be universally usable and has already been used on their delivery vans, company clothing, and website. It also helped Brenger position itself as the fresh, agile, and CO2-efficient player in the otherwise old-fashioned courier business.

ZOMERTUIN VAN BRET

De Tuin van BRET (BRET’s garden) is a green oasis in a grey city. Right next to Amsterdam’s Sloterdijk train station, a group of environmentally-conscious local entrepreneurs created a space which has a minimal impact on the environment. They accomplished this by focusing on less mindless consuming, more sustainability, and circular innovation.

ZOMERTUIN VAN BRET

De tuin van bret (bret’s garden) is a green oasis in the grey city, right next to amsterdam’s sloterdijk train station. A group of environmentally conscious local entrepreneurs tried to create a space with a minimal effect on the environment. Less mindless buying, more sustainability and circular innovation.

ZOMERTUIN VAN BRET

De Tuin van BRET (BRET’s garden) is a green oasis in a grey city. Right next to Amsterdam’s Sloterdijk train station, a group of environmentally-conscious local entrepreneurs created a space which has a minimal impact on the environment. They accomplished this by focusing on less mindless consuming, more sustainability, and circular innovation.

ZOMERTUIN VAN BRET

De Tuin van BRET (BRET’s garden) is a green oasis in a grey city. Right next to Amsterdam’s Sloterdijk train station, a group of environmentally-conscious local entrepreneurs created a space which has a minimal impact on the environment. They accomplished this by focusing on less mindless consuming, more sustainability, and circular innovation.

ZOMERTUIN VAN BRET

De Tuin van BRET (BRET’s garden) is a green oasis in a grey city. Right next to Amsterdam’s Sloterdijk train station, a group of environmentally-conscious local entrepreneurs created a space which has a minimal impact on the environment. They accomplished this by focusing on less mindless consuming, more sustainability, and circular innovation.

De Zomertuin van BRET (BRET's summer garden) was a small-scale outdoors summer festival held in the weekends of the summer of 2018 in De Tuin van BRET. By featuring mostly Dutch artists, building the stage and bar from recycled materials, and encouraging reuse with deposits on plastic cups, environmental impact was kept to an absolute minimum.

For De Zomertuin van BRET, I created a summery visual style from vibrant reds and a setting sun. The distinct red also reflects the red containers which the site’s buildings are made of. The setting sun not only reminds you of the hot summer evenings, but, by using a natural phenomenon, also incorporates BRET’s environmental goals.

De Zomertuin van BRET (BRET's summer garden) was a small-scale outdoors summer festival held in the weekends of the summer of 2018 in De Tuin van BRET. By featuring mostly Dutch artists, building the stage and bar from recycled materials, and encouraging reuse with deposits on plastic cups, environmental impact was kept to an absolute minimum.

For De Zomertuin van BRET, I created a summery visual style from vibrant reds and a setting sun. The distinct red also reflects the red containers which the site’s buildings are made of. The setting sun not only reminds you of the hot summer evenings, but, by using a natural phenomenon, also incorporates BRET’s environmental goals.

De Zomertuin van BRET (BRET's summer garden) was a small-scale outdoors summer festival held in the weekends of the summer of 2018 in De Tuin van BRET. By featuring mostly Dutch artists, building the stage and bar from recycled materials, and encouraging reuse with deposits on plastic cups, environmental impact was kept to an absolute minimum.

For De Zomertuin van BRET, I created a summery visual style from vibrant reds and a setting sun. The distinct red also reflects the red containers which the site’s buildings are made of. The setting sun not only reminds you of the hot summer evenings, but, by using a natural phenomenon, also incorporates BRET’s environmental goals.

De Zomertuin van BRET (BRET's summer garden) was a small-scale outdoors summer festival held in the weekends of the summer of 2018 in De Tuin van BRET. By featuring mostly Dutch artists, building the stage and bar from recycled materials, and encouraging reuse with deposits on plastic cups, environmental impact was kept to an absolute minimum.

For De Zomertuin van BRET, I created a summery visual style from vibrant reds and a setting sun. The distinct red also reflects the red containers which the site’s buildings are made of. The setting sun not only reminds you of the hot summer evenings, but, by using a natural phenomenon, also incorporates BRET’s environmental goals.

De Zomertuin van BRET (BRET's summer garden) was a small-scale outdoors summer festival held in the weekends of the summer of 2018 in De Tuin van BRET. By featuring mostly Dutch artists, building the stage and bar from recycled materials, and encouraging reuse with deposits on plastic cups, environmental impact was kept to an absolute minimum.

For De Zomertuin van BRET, I created a summery visual style from vibrant reds and a setting sun. The distinct red also reflects the red containers which the site’s buildings are made of. The setting sun not only reminds you of the hot summer evenings, but, by using a natural phenomenon, also incorporates BRET’s environmental goals.

ELEGIAD

My dear friend Huub Gelissen writes, publishes, and distributes his own books. For one of his recent works, Elegiad, I created a custom type. Using this type, I designed a cover with an illegible, washed-out look. This reflects the fading and changing of memories over time, which is an important theme of the story. The type is further explored in different states of legibility throughout the front matter of the book.

ELEGIAD

My dear friend Huub Gelissen writes, publishes, and distributes his own books. For one of his recent works, Elegiad, I created a custom type. Using this type, I designed a cover with an illegible, washed-out look. This reflects the fading and changing of memories over time, which is an important theme of the story. The type is further explored in different states of legibility throughout the front matter of the book.

ELEGIAD

My dear friend Huub Gelissen writes, publishes, and distributes his own books. For one of his recent works, Elegiad, I created a custom type. Using this type, I designed a cover with an illegible, washed-out look. This reflects the fading and changing of memories over time, which is an important theme of the story. The type is further explored in different states of legibility throughout the front matter of the book.

ELEGIAD

My dear friend Huub Gelissen writes, publishes, and distributes his own books. For one of his recent works, Elegiad, I created a custom type. Using this type, I designed a cover with an illegible, washed-out look. This reflects the fading and changing of memories over time, which is an important theme of the story. The type is further explored in different states of legibility throughout the front matter of the book.

ELEGIAD

My dear friend Huub Gelissen writes, publishes, and distributes his own books. For one of his recent works, Elegiad, I created a custom type. Using this type, I designed a cover with an illegible, washed-out look. This reflects the fading and changing of memories over time, which is an important theme of the story. The type is further explored in different states of legibility throughout the front matter of the book.

TOLBAR

Tolbar, located in Amsterdam’s creative space Cinetol, is like a living room outside of your house. A comfortable and leisurely place to sit down for some good food or drinks, or to bring your laptop and do some work. When they came to 310k for a new logotype, I created this distinct and recognisable word mark.

TOLBAR

Tolbar, located in Amsterdam’s creative space Cinetol, is like a living room outside of your house. A comfortable and leisurely place to sit down for some good food or drinks, or to bring your laptop and do some work. When they came to 310k for a new logotype, I created this distinct and recognisable word mark.

TOLBAR

Tolbar, located in Amsterdam’s creative space Cinetol, is like a living room outside of your house. A comfortable and leisurely place to sit down for some good food or drinks, or to bring your laptop and do some work. When they came to 310k for a new logotype, I created this distinct and recognisable word mark.

TOLBAR

Tolbar, located in Amsterdam’s creative space Cinetol, is like a living room outside of your house. A comfortable and leisurely place to sit down for some good food or drinks, or to bring your laptop and do some work. When they came to 310k for a new logotype, I created this distinct and recognisable word mark.

TOLBAR

Tolbar, located in Amsterdam’s creative space Cinetol, is like a living room outside of your house. A comfortable and leisurely place to sit down for some good food or drinks, or to bring your laptop and do some work. When they came to 310k for a new logotype, I created this distinct and recognisable word mark.

KAW

KAW is an idealistic architectural firm. They always focus on the social impact of their projects, trying to connect, rather than divide, communities. In their rebranding, I made sure that their social focus and idealism was at the heart of their visual style as well. Rounded corners and soft shapes in the logo, reflect the firm’s accessible and friendly nature.

KAW

KAW is an idealistic architectural firm. They always focus on the social impact of their projects, trying to connect, rather than divide, communities. In their rebranding, I made sure that their social focus and idealism was at the heart of their visual style as well. Rounded corners and soft shapes in the logo, reflect the firm’s accessible and friendly nature.

KAW

KAW is an idealistic architectural firm. They always focus on the social impact of their projects, trying to connect, rather than divide, communities. In their rebranding, I made sure that their social focus and idealism was at the heart of their visual style as well. Rounded corners and soft shapes in the logo, reflect the firm’s accessible and friendly nature.

KAW

KAW is an idealistic architectural firm. They always focus on the social impact of their projects, trying to connect, rather than divide, communities. In their rebranding, I made sure that their social focus and idealism was at the heart of their visual style as well. Rounded corners and soft shapes in the logo, reflect the firm’s accessible and friendly nature.

KAW

KAW is an idealistic architectural firm. They always focus on the social impact of their projects, trying to connect, rather than divide, communities. In their rebranding, I made sure that their social focus and idealism was at the heart of their visual style as well. Rounded corners and soft shapes in the logo, reflect the firm’s accessible and friendly nature.

JÄGER MUSIC 5YR

When Jäger Music turned 5 years old, they celebrated its birthday 56 times, reflecting Jägermeister’s 56 ingredients. 310k was asked to do the branding for the 5-month long anniversary event. For this project, I used the numbers 56 and -18 (the perfect temperature for chilling a bottle of Jäger) as building blocks of the branding, implementing it, among other things, in the degrees at which elements intersect.

JÄGER MUSIC 5YR

When Jäger Music turned 5 years old, they celebrated its birthday 56 times, reflecting Jägermeister’s 56 ingredients. 310k was asked to do the branding for the 5-month long anniversary event. For this project, I used the numbers 56 and -18 (the perfect temperature for chilling a bottle of Jäger) as building blocks of the branding, implementing it, among other things, in the degrees at which elements intersect.

JÄGER MUSIC 5YR

When Jäger Music turned 5 years old, they celebrated its birthday 56 times, reflecting Jägermeister’s 56 ingredients. 310k was asked to do the branding for the 5-month long anniversary event. For this project, I used the numbers 56 and -18 (the perfect temperature for chilling a bottle of Jäger) as building blocks of the branding, implementing it, among other things, in the degrees at which elements intersect.

JÄGER MUSIC 5YR

When Jäger Music turned 5 years old, they celebrated its birthday 56 times, reflecting Jägermeister’s 56 ingredients. 310k was asked to do the branding for the 5-month long anniversary event. For this project, I used the numbers 56 and -18 (the perfect temperature for chilling a bottle of Jäger) as building blocks of the branding, implementing it, among other things, in the degrees at which elements intersect.

JÄGER MUSIC 5YR

When Jäger Music turned 5 years old, they celebrated its birthday 56 times, reflecting Jägermeister’s 56 ingredients. 310k was asked to do the branding for the 5-month long anniversary event. For this project, I used the numbers 56 and -18 (the perfect temperature for chilling a bottle of Jäger) as building blocks of the branding, implementing it, among other things, in the degrees at which elements intersect.

NOL COBBEN 

I enjoy working on concept-driven solutions that fuse functionality and aesthetics. I firmly believe that good design can put into focus a company’s goals.

In 2014, I graduated from Sint Lucas with a degree in visual design. Since then I've worked at 310K, Studio Dolour, Concept56 and Matters Most, creating a wide variety of recognisable works.

As NOL.ONE, I experiment with fashion design, personal branding, and social media marketing.

For commissions, collaborations or to just say hi, feel free to contact me.

INSTAGRAM
DRIBBBLE 
E-MAIL

NOL COBBEN

I enjoy working on concept-driven solutions that fuse functionality and aesthetics. I firmly believe that good design can put into focus a company’s goals.

In 2014, I graduated from Sint Lucas with a degree in visual design. Since then I've worked at 310k, Dolour, Concept56 and Matters Most, creating a wide variety of recognisable works.

As NOL.ONE, I experiment with fashion, personal branding, and social media marketing.

For commissions, collaborations or to just say hi, feel free to contact me.

 
INSTAGRAM
DRIBBBLE
E-MAIL

NOL COBBEN 

I enjoy working on concept-driven solutions that fuse functionality and aesthetics. I firmly believe that good design can put into focus a company’s goals.

In 2014, I graduated from Sint Lucas with a degree in visual design. Since then I've worked at 310K, Studio Dolour, Concept56 and Matters Most, creating a wide variety of recognizable works.

As NOL.ONE, I experiment with fashion, personal branding, and social media marketing.

For commissions, collaborations or to just say hi, feel free to contact me.

INSTAGRAM
DRIBBBLE
E-MAIL

NOL COBBEN

I enjoy working on concept-driven solutions that fuse functionality and aesthetics. I firmly believe that good design can put into focus a company’s goals.

In 2014, I graduated from Sint Lucas with a degree in visual design. Since then I've worked at 310K, Studio Dolour, Concept56 and Matters Most, creating a wide variety of recognizable works.

As NOL.ONE, I experiment with fashion, personal branding, and social media marketing.

For commissions, collaborations or to just say hi, feel free to contact me.

INSTAGRAM 
DRIBBBLE
E-MAIL

NOL
COBBEN 

I enjoy working on concept-driven solutions that fuse functionality and aesthetics. I firmly believe that good design can put into focus a company’s goals.

In 2014, I graduated from Sint Lucas with a degree in visual design. Since then I've worked at 310K, Dolour, Concept56 and Matters Most, creating a wide variety of recognizable works.

As NOL.ONE, I experiment with fashion, personal branding, and social media marketing.

For commissions, collaborations or to just say hi, feel free to contact me.

INSTAGRAM
DRIBBBLE
E-MAIL